Karl Blossfeldt’s photographs of plants, flowers and seed heads are as appealing today, as they no doubt were when they were published in his books Urformen der Kunst and Wundergarten der Natur. While Henry Fox-Talbot’s calotypes and the cyanotypes of Anna Atkins and pioneered the use of botanical specimens as photographic subjects, Blossfeldt’s work was unique in its pioneering use macrophotography emphasising the patterns and textures of plants.
Blossfeldt wrote in Urformen der Kunst that he never obtained his plants from florists and rarely from botanical gardens instead gathering them from along country lanes preferring plants often denigrated as weeds as he found their forms fascinated him the most. For this project, these seedbeds have come from our own garden, including some that might be considered weeds!
The images I’ve been taking of seed heads are all shot as jpegs, using FujiFilm’s Acros film simulation and in-camera processing that mainly entails boosting the shadow tones to around +2 and the highlight tones to +1 with a very slight warming of the resulting jpeg.