Llyn y Dywarchen

On a recent week spent in and around Eryri National Park in North Wales, one locality drew us back for several visits. Llyn y Dywarchen is a secluded little llyn compared to the many more famous ones around the National Park, several of which have become iconic photographic locations. It is located above the village of Drws y Coed in Dyffryn Nantlle, near Rhyd Ddu, a stop on the Welsh Highland Railway and a popular starting point for several longer walks. What makes it a little more special is the opportunity to photograph more intimate landscapes with foreground interest and using man made features as leading lines.

Fujifilm X-T5 + XF10-24mmF4 R OIS at ƒ / 11, ¹⁄₁₀₀ sec, ISO 160.

Llyn y Dywarchen is a readily accessible photographic location, with a small car park at the side of the llyn and the walk along the dam and around to the far side of the llyn on level ground, around 250 to 300m to reach the small ruin on the far side of the llyn from the car park. Yr Wyfdda is visible from the llyn though partly obscured by nearer hills and paths to higher ground are steep.

Fujifilm X-T5 + XF10-24mmF4 R OIS at ƒ / 11, ¹⁄₄₀ sec, ISO 125.

For centuries, the llyn was famous for its reported floating island with Giraldus Cambrensis noting in 1188 that was “driven from one side to the other by the force of the wind”. While such stories may seem more the subject of Welsh folklore, this one was seeming verified by none other than the astronomer Edmund Halley in 1698 reportedly swam out to check that it did indeed float! The island visible today most certainly is not floating, however, leaving one to wonder what became of Halley’s “floating island” – a section of floating peat bog perhaps?

Fujifilm X-T5 + XF10-24mmF4 R OIS at ƒ / 11, ¹⁄₁₈ sec, ISO 200.
Fujifilm X-T5 + XF16-80mmF4 R OIS WR at ƒ / 11, 30 sec, ISO 400.

Not so grand landscapes

I was recently re-reading a short article published in LensWork 51 by North Carolina-based photographer Joe Lipka entitled Photographing the Not-So Grand Landscape. In it, he contrasts the grand landscapes of the American west with the approach he adopted to photographing the ‘small landscape’ of Carpenter, North Carolina – one more akin to documentary photography, questioning where one ends and the other begins.

Normanton Church, Rutland. X-T3 + XF10-24mmF4 R OIS, 20.0 sec at ƒ / 14, ISO 160

The article was an interesting read as most of my recent landscape photography has been within a short drive of home, largely as a result of the growing uncertainty over the spread of SARS-CoV-2. Few, if any, of the locations I’m visiting could be described as ‘grand’ or even ‘iconic’ though some might just make the description of being quirky. I’ve revisited locations multiple times, at different times of day and in different weather conditions, when they are busier and when they are quiet. It has given me the chance to play with different compositions and lighting.

Harringworth Viaduct. X-T3 + XF10-24mmF4 R OIS, ¹⁄₆₀ sec at ƒ / 14, ISO 160

It may not be the Lake District or Scotland, but exploring my local area has given me a better understanding of the photographic opportunities it presents in terms of landscape and its rich heritage. Rutland is the UK’s smallest county and its landscape of broad, rolling ridges and secluded valleys has a quiet, remote and rural character with small villages and scattered farms. It is criss-crossed by a network of narrow country lanes, tracks and footpaths interspersed by small thickets, copses and woodlands, some of them ancient remnants of once larger forests. At its centre is Rutland Water, one of Europe’s largest artificial lakes. Rutland’s moto Multum in Parvo, “much in little” seems rather appropriate for a focus on the Not-So Grand landscape.